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Archive for the ‘General’ Category

Lorna Salmon – WOMEN IN RADIO PART TWO: 4 Ways to Get Women into Radio

Sunday, March 18th, 2012

lorna2As you will have hopefully already seen, my previous article detailed the recent facts and statistics with regards to women in the UK Audio industry. As well as emphasising the shocking scientific discovery that women do not in fact DJ with their vaginas, my article highlighted that the radio industry, with respect to gender equality, still has a very long way to go. It goes without saying how shocked I was at the discoveries I made purely by scratching the surface of this unavoidable issue. On the plus side however, I feel recently one of the biggest and most productive steps has been taken on the road out of the dark ages of UK Audio, in the form of the newly established ‘Sound Women’ organisation. These women, along with thousands of others across the country, are fighting against the blatant prejudice towards women in the radio industry. As stated by Liz Kershaw at the 2012 Manchester International Women’s Day event, “It’s not right- but it is correct.”

In this article, I’ve come up with four quick, simple and easily applicable ways of getting women into radio. I’m currently a committee member of my student radio station 1350AM GU2, and I have employed and partaken in all of these suggestions. And you know what? They’ve worked pretty well for us as a station- there’s no reason why they can’t work at yours.

1. STEP ONE: BE A UNITED FORCE.

By ‘united force’, I mean create what is essentially a society within a society. At GU2, this rather novel idea was fully put into practise shortly before I’d even joined the station. After the 2011 AGM, as the newly established committee members slowly filtered out of the lecture theatre, I was called over to join ‘The Ladies’. As the name would suggest, The Ladies incorporated each and every female member of the station. Being a fledgling member myself, being welcomed into the open arms of my fellow ‘ladies’ so quickly, I instantly felt genuinely part of the station.

The Ladies, as well as being a social hub (something I will go into shortly), is actually a radio show on the station itself. As aforementioned, The Ladies is by no means exclusive (unless you have a penis, of course). Every new female member to the station is instantly signed up and added to our show rota. Every week, Wednesday from 2-4pm, four ladies will anchor, produce and host what we have lovingly described as ‘Loose Women on the airwaves’. I honestly can’t get enough of it. It’s such a simple idea, but works so well in practise. No intimidation, instant welcome… I’ll go right ahead and blow our lady trumpet loud and proud and declare instant satisfaction, too.

Membership to The Ladies has soared over the past year, and this to me shows how much of a success the idea was, and indeed still is. On the flipside of course, there have been the odd few grumbling gents at the station who have questioned, “Well how come you get your own group?” My answer? Because we can. We’re not stopping you from having your own ‘group’. You can call it ‘The Dicks’ for all I care. Equality in the 21st century is a beautiful thing.

2. STEP TWO: LEAD THE SOCIALS.

Keeping it with The Ladies, I want to talk more about the creation of a ‘social hub’. Having discussed the issue of gender imbalance with various women at my own station, along with other local stations across the country, one of the main problems raised is the sense of being outnumbered with regards to the frivolities outside of the office. This issue was raised in an Observer blog entry from Miranda Sawyer, who stated, “In my youth I certainly witnessed, and was part of, radio stations where there is a male drinking culture. That can be quite intimidating for young women. I have had many great nights in the pub after radio programmes – I’m no angel – but looking back on it, it was a very male environment, and I felt I had to ape that behaviour, even though sometimes I’d have liked to have walked away from it.”

As aforementioned, one of the biggest parts of The Ladies as a unit are our own personal socials. These socials entail the usual and expected heels and dresses night-on-the-tiles kinda thing, obviously… But the times certainly change. As a result of the social strength of our station, the gender gap has been essentially closed. When we go out as a group, as a station, there is absolutely no difference in how you’re treated. If I’m being honest here, I’ve seen some of the women at our station neck a pint faster than some of the men, but that’s beside the point.

I feel what makes GU2 work so well in our out-of-office environment is the sheer variety of what we do. We aren’t confined by the mayhem of bar crawls and club nights in the slightest. Our socials range from an evening at Open Mic Night to ‘Laser Chicken’ (Laser Quest and Nando’s). This is key- with your new society in a society, make sure your voices are heard when it comes to socials.

3. STEP THREE: BE MULTIFARIOUS (AND DON’T BE A GIMMICK).

So, with respect to getting your voice heard… Make sure your voice is a knowledgeable and professional one. ‘Multifarious’ is probably my favourite word. It’s also my favourite thing to suggest people understand when going into a career in radio. No matter how much you might want to be a presenter on Radio 1, it’s inescapable that you have to gain a lot of experience along the way. Talk with the producers at your station, ask your Head of Sound Production what all those weird green lines are on Audition, get your manager to tell you all about the wonders of Ofcom… Editing, for example, is one of the most underrepresented sectors of the radio industry, with just 1% being female. You’ll probably realise, as I have, quite how enjoyable all these things can be. Through this, you’ll gain knowledge, as well as earning the respect of your peers and potential future employers. The career prospects in the UK Audio industry are vast, and there’s literally no reason why a woman couldn’t do just as good a job as a man could.

And for the love of God, do not let yourself become a gimmick. It’s bad enough if it’s forced upon you by promoters or revellers; but as I said in my previous article, this is unacceptable, and made worse if women fuel it themselves. Stick to your guns, stick to your genre, and just be yourself when you’re out there presenting or DJing. As ‘cute’ as those pink Skullcandy’s might look, the audio quality is s*** and you could probably buy a delicious 3 course meal with wine for that price instead. I know what I’d prefer.

4. STEP FOUR: END SOROPHOBIA.

And finally, I end this brief 4 step guide with a term that I believe to be incredibly relevant in our modern society, and that term is ‘Sorophobia’. Studying English Literature at university, I’ve been introduced to plenty of interesting words, but this has been by far the most applicable to my life. What ‘Sorophobia’ alludes to is the idea of a ‘Sisterhood’ being a complete sham, and that women are in fact more venomous and cruel to each other than any man could ever be. I totally get this. To draw again from personal experience, the amount of women that have thrown a filthy look at me whilst I’ve been DJing is unreal. I also know from personal experience that certain female DJs enjoy that they’re the minority, and would prefer to keep it that way. Why? Perhaps some ‘Shejays’ enjoy the attention, perhaps they’re quite happy riding the gimmick wave? Maybe they’re just taking advantage of the hole in the market?

Here is, yet again, where my station has shown itself to be different.  We’re actively working to get more women on the decks and representing us all up there on the Union stage. In fact, I have another two Ladies down for training this Friday. I love passing on everything I’ve learnt so far and sharing the experience I’ve gained with other women at the station. This attitude needs to be employed, in my opinion, by every woman in a position of committee power in their student radio station. There are enough issues still to be conquered as we try to bridge the gender gap between men and women, let alone if we have to take into consideration any potential issues within the female radio community.

I feel what I am proposing here is what I hope would ultimately lead to a ‘pincer attack’. From the outrageous, passionate and unstoppable seedlings of student radio, all the way up to the big dogs. This change has been sparked and as a result now flourishing in my student radio station, undoubtedly along with hundreds of others countrywide. My question is this- why can this same change not be enforced upon larger commercial stations? There is literally no excuse for the work force to be so obviously imbalanced. What needs to be emphasised though is that the cause I am promoting is the cause of equality- to quote Liz Kershaw once more, “I don’t want men sacking who are doing a good job… Wake up radio industry! Accept that this is going on, and accept that in 2012 it’s just plain wrong… Stop this prejudice against women. If you don’t, it’s just blatant discrimination.”

So get out there ladies- you get out there and don’t you dare take no for an answer. Annie Nightingale sure as hell didn’t.

 
 
 
 
 
 

Michael Blades – Getting into Radio……through any means possible

Tuesday, March 13th, 2012

Getting into radio isn’t easy. In fact it’s a bloody nightmare and I certainly don’t envy you if you’re trying to get into this industry. That said, and at the risk of spouting clichés that I’m sure you’ve heard before, if you are hungry enough, passionate enough, and determined enough I absolutely believe it will happen for you. Eventually.  Just keep at it!

A mate of mine takes great pride in reminding me of a story from our days in student radio.  We were sat having lunch in the office of LSR in Leeds, when I received yet another rejection email for some work experience placement or other, at which point I threw my laptop across the room, punched a wall and shouted ‘ALL I WANT IS A F***ING JOB IN RADIO! HOW HARD CAN IT BE?!’. Little did I know that my ‘break’ was a mere couple of weeks away!

A little about how I started: first I did Hospital radio, then student radio when I went to Uni and both offer an unparalleled platform on which you can develop your craft, hone your skills and find out what you’re good at. It also allows you to find out about the various departments that go into running a radio station and I strongly recommend you try your hand at everything. Even if you’re set on being a presenter, having knowledge of production or engineering or marketing can make you a valuable asset to any radio station.

Whilst at Leeds Student Radio I joined the Promo Team at the local Bauer radio station, 96.3 Radio Aire. Promo Teams get asked to do all sorts of jobs from flyering to taking photos at club nights (going to a school and getting students to pee in a pot for a chlamydia test was one of my more random shifts!). It may not sound particularly glamorous – or even radio related – but it gets you in the building and my time on the Radio Aire street team allowed me to make some fantastic contacts that would become quite handy a little later on…

My first presenting gig came at 107.9 Pennine FM – Huddersfield’s More Music Station! It was a fairly small station and an absolute trek for me to get to for my afternoon shift every Sunday – but I couldn’t believe my luck! I WAS ON THE ACTUAL RADIO. I started there in January, 2010 and unfortunately the station closed in March after running out of money. I didn’t get paid for my time at Pennine (not that I cared as I was quite happy to do it for free) but my short time at Pennine put me in a very strong position for what was to happen next.

By this stage (and thanks to some fantastic feedback from the guys at ‘The Pips’), my demo now contained personality links and bizarre, quirky games from LSR, alongside short, showbiz crunch and rolls from Pennine FM – the combination of which turned out to be a winning formula. And in March came the STUDENT RADIO CONFERENCE at Fly FM in Nottingham.

Every year at the conference is an event called DEMO FACTOR. A theatre full of student radio hopefuls put their demos in a bucket and they get played out in from of a panel of industry judges (Chris North of Wise Buddah, Vicki Blight of Absolute Radio, Neil Sloan of BBC Radio 1, Sam Gregory of Round 2 Creative and Rob Watson who was then Deputy Programme Controller at the Galaxy Network).  Most demos get played for about 30 seconds before the judges stop them and offer feedback. Mine somehow got played for over 3 minutes and the judges liked it! So much so in fact, that Rob there and then offered me a single show on overnights at the Galaxy Network. Just like that.

So from a small station in Huddersfield – somehow my next move was to a goliath of a quasi-national network! I did my one show and remember it very well despite the fact that three hours seemed to last about five minutes!! I loved every second – and to my utter disbelief, they then put me on for two solid weeks thereafter. Once my two weeks were up they extended it yet again – and now I was doing overnights and swing indefinitely on a station that I loved and was extremely passionate about.

Six fantastic months followed. I loved being on overnights – it’s a great slot with an incredibly loyal audience and enough freedom to try things out and develop yourself. Then the Galaxy / Capital rebrand was announced and my future once again looked uncertain.

Shortly after the announcement, I received an out-of-the-blue phone call from the Programme Controller at Radio Aire (remember the contacts I made through the Promo Work earlier on). He suggested I pop in for a chat… turns out they had an opening coming up!

The offer at Aire was to do Friday and Saturday nights on the network in Yorkshire (Radio Aire, Viking FM and Hallam FM). This was only two shows a week, but it was more guaranteed work than Capital could offer so I accepted and moved to Bauer.  However, the beauty of working for a large group is that you can move around the stations quite a bit. As well as the two aforementioned shows, I now present a Sunday show at Aire, weekday afternoons on The Hits Radio, a Saturday show at Rock FM in Lancashire and cover at Key 103 and Heat Radio.

So there you have it. All the time and effort spent trying to get into radio did eventually pay off and sure enough it is the best job in the world! I absolutely LOVE it!  Be determined. Be ready to learn and get yourself out there, in front of the right people and it will happen. Furthermore don’t be put off by rejection – do you know, to this day I have STILL never been accepted onto a work experience placement!!

You can visit Michael Blades website by clicking HERE.


John Isherwood – Another sad loss in Community Radio….

Friday, March 9th, 2012

Hello, I haven’t been on here for a while. Mostly because I’m incredibly lazy. I started writing a piece about on air promotions and stopped. Then I moved house in a month which I would like to forget. Seriously don’t sell a house and move, its a LOT of hard work. Anyway, work, yes I still do that. Last time I blogged on here I was on 2BR weekend breakfast and covering the rest of the day’s schedule as and when. Well I still occasionally pop up on 2BR but now I have upped sticks and moved two studios down the corridor to become a part of The Bee’s daytime lineup. I’m now on weekdays 10am-2pm. Come say hi, I talk rubbish and play lots of songs. Winning formula.

So after today’s events I wanted to write something. Today (March 5th 2012) my local community radio station, Rossendale Radio sadly had to stop live broadcasts and begin the process of shutting down. Rossy Radio was loved by many in the community. Where I live in Ramsbottom, we’re in the middle of a valley. Its a pain in the bum to get a good signal for certain stations. Key 103 and Real can be iffy on FM. Rock FM is occasionally just breaking up and the commercial options are Tower, Real XS and Smooth.  Rossendale Radio offered something in the middle ground for the area, which was nice. On air, it was a pretty well put together product. Some of the backroom staff and those who set it up are incredibly passionate and know the industry well, they made the station sound good.

Rossy is not the first North West community station to stop broadcasting. Cheshire FM went under earlier this year too. The reason for them dying is one which is affected the CR sector…  Money. Sadly radio stations are blooming expensive to run and with the way community radio is structured, recouping those costs is not easy. CR stations are allowed by OFCOM to make 50% of their income from advertising and sponsorship. The rest has to be made up of other investment, training grants etc.  Selling radio on this scale is not easy. There are no RAJAR figures to help show who is listening and how many there are, the sales pitch is difficult to begin with. Making that money is very hard and it was hard before the economy took a downturn. Now selling airtime on a community station is even harder and with the retraction of a lot of grants and funding, making that other 50% becomes even more difficult.

So far, this reads a bit bleak, well that’s because it is. As I said to a colleague today, its a hard slog selling commercial radio and making that tick and the commercial sector is better placed. Community radio has the odds stacked from the beginning. But, much like BBC Local, community radio has its place and maybe its time OFCOM and the government take a look at the way its structured and delivered.
BBC Local radio does things that the commercial radio sector would never do. They can do the gardening shows, the business shows. Just looking at BBC Manchester’s schedule and seeing the Jewish show, the LGBT show and others, this is exactly what I’d expect from them. Sure they can be run more efficiently, but that’s another story. They do what us lot playing the hits don’t do and that’s where they sit.

Community radio sits near them at the big radio table and can offer a wide range of programming. Whereas local BBC is there to service the region at large and not play Pink and Take That, community stations serve a more immediate area. They serve a tiny part of that larger mass and provide programming which is of interest to them. They can provide similar programming to BBC and also some more commercial style shows too. But what community radio also offers that BBC and commercial can’t are the training schemes and opportunities for people in the community to have their voice heard when normally they wouldn’t have a platform. What they shouldn’t have to do is attempt or even have to compete with the commercial sector. They shouldn’t even be trying to compete as the services are different.

So where does community radio go now? Well first and this is my opinion, OFCOM and the Government need to change the way that stations are funded. These stations should not have to chase the commercial sector. They are not there to compete with commercial rivals. For a start they can’t do that anyway, but they should not have to. These stations are there to support the community and provide the people in that area with another voice. They should engage the community with things that mean something to the area and the people. The stations should be funded in this way. Covered by grants and educational supplements in order to train and engage people in the community. The courses that can be offered at these stations can give people confidence and in some places a leg up in their career. They can teach life skills, technical skills and more. Broadcasting and being behind that microphone is something that requires a large amount of confidence, this can make a difference to someone. That can give them the confidence to advance their career somewhere.

In short, community radio needs to adapt to survive. I fear that many stations will end up in financial uncertainty if the way these stations licenses are issued is not changed then we will see more closures. Community radio should engage the community, give a voice to those who would never normally get a chance in the area and train people not just in radio but also in life skills. Forget trying to be commercial, do what you have written on the tin. Be about your community. There is a place on the dial for these stations, I just hope for the passionate people involved that they can survive.

 
 
 
 
 
 

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